This year is extra special because I had the opportunity to design some scandinavian-inspired promotional gift wrap paper in collaboration with Laura Luethje from West Coast Paper Solutions and Randy Murray from Brown Printing. So without further ado…
To create a series that was Christmasy without being too over the top, I opted for some patterns that kept it classy – abstract red ribbons and a snowflake flurry. On the back a tiered landscape of wintertime activity is revealed in tonal grays with pops of red, making it easy to mix and match between the three designs.
The WCP holiday wrap promo happens every year, and this year I was lucky enough to have Laura ask if I would create the designs. While West Coast Paper donated paper and I donated design, Brown Printing donated printing for a final product of two 2-sided promotional sheets produced on 70# Titan Dull Text.
As a bonus, I slipped a non-holiday side onto one of the sheets. Hand drawn with black ink and digitally colored, the feather pattern is an excerpt of a twelve feather series from a few years ago. Hopefully it gives the gift wrap a life past December.
This fall I participated in a group art show organized by The Brigade, with the theme featuring portraits of women who are pioneers in technology. The show was titled Femme & Function and featured a wide range of mediums and contributions all made for silent auction bidding with proceeds going towards Girls, Inc – you can read more about it here on Medium.
I used the opportunity to create “off screen” with collage paper I had on hand, including an incredibly soft vintage piece of Swedish wallpaper I had received as gift wrap several years ago. This paper is so soft it’s almost a blanket, with gold and white screen printing worn down by time. My subject matter was Ada, Countess of Lovelace. I had read about her previously when doing some work for Code/Art (here and here) and had been taken by her interesting life. Trying out a new medium definitely gave me appreciation for true collage artists. My results are rudimentary, but the concept of a modern twist on the classic victorian portrait fits Ada and her before-her-time story well.
Portrait of Ada Lovelace
cut paper / mixed media
As one of the pioneering women entrenched in developing computing technology and code, the accomplishments of Ada Lovelace (1815-1852) are often discounted, minimized, or attributed to her teacher and collaborator Charles Babbage, who concepted the first digital programmable computer. What most can agree on, however, was that Ada was the first to imagine the powers of computing applying to more than just numbers – she made the leap that numbers could represent anything, and therefore computers could be used to analyze innumerable sets and types of data, instead of solely numerical tasks.
Another test in using Posca markers, this time in a smaller format and combined with collage paper bits taken from the Mohawk Paper Maker’s Quarterly publication.
I’ve been testing out working with Posca Markers, which are opaque liquid ink markers. Advertised as “mark vividly on any surface” I’ve found that the type of paper used really makes a difference in how they lay down (or tear up the paper), and that some colors seem more opaque than others. Testing out a new tool or material always takes some getting used to, especially if you have an idea of how it’s supposed to work versus how it actually works. So far the best success I’ve had with Posca Markers are for simple pieces.
Looks like I’ve reached the stage in my side project career where much of my work will be inspired by: 1) my 4-year-old daughter’s drawings, 2) my daughter’s imagination, or 3) my daughter and her future. As an ever-changing subject matter, we’ll see how this appropriation of content develops over time.
Update: I showed my drawings to my daughter and told her she inspired me (ensue a long discussion about what the word inspire means), after which she demanded to copy my artwork. Below is the original that inspired me, and the redux inspired BY me. I foresee a long and fortuitous/contentious working relationship…
Another month, another Launch art show! Last month I showed an excerpt of ever-changing feathers. This month I am contributing a new format of my Love Bird enamel pin – namely giving it a frame and a bit more blue sky. In addition to a framed pin, there will be a gaggle of pins for sale at the very affordable art price of $10. Come to the show (info below), or read more about the original inspiration for my little love bird.
Portland’s First Thursday @ Conversa
Theme: Proud as I am
June 7, 2018 from 6-9pm
734 NW 14th Ave, Portland OR
One of my favorite types of design projects is packaging – specifically food packaging. It is also one of the more fickle types of projects. Sometimes products miss their window of opportunity, sometimes start-ups aren’t able to get an investor to put the product on shelves, sometimes budgets fall through or a product line is re-oriented. Specialty products are sometimes explored up until launch, at which point they are deemed unviable. Once an entire project was derailed due to a macadamia nut shortage. You just can’t plan ahead for these kinds of things!
Because of this, I have worked on almost as many packaging projects that have been shelved than have actually reached shelves. Gelateria Naia is my one exceptional client that has taken every product I’ve worked on to market (see a few projects here and here, with more in the works!). Even the packaging projects that make it to market often take a YEAR OR TWO between packaging design and hitting shelves. This is like 1,948,465 years in “designer years” – it’s definitely not an exercise in instant gratification.
Last year I worked on chocolate wafer packaging for a company that packages US and European products for the Chinese market. Because of quality perception and some food scares, the design brief presented an interesting mix of designing in a way the Chinese market was used to (bold, zingy, pop!) while making the product look and feel European-based. Unfortunately the project was put on hold, but I wanted to share a direction from the initial design round (with a placeholder product name). A more traditional approach was selected as the final, where I got to practice drawing the Swiss Alps and milk splashes, but is not shown here because it hasn’t been released. So while not everything makes it to market, it doesn’t mean it isn’t sweet!
I recently received my first copy of Offscreen Magazine as the result of collaborating with the founder Kai Brach on a coaster to be included in the issue. It’s a thoughtful and thoughtfully designed effort, so if you aren’t familiar check out the most recent issue online, or get it offline. The Future is Human – high five!
For the month of May an excerpt of my feather series will be a part of a group show at Conversa. The original series of twelve feathers was created over the course of a year, capturing the feelings of each month in regards to life changes and relationships I was experiencing at the time.
Metamorphosis: The Art of Change
May 3rd, 2018 from 6-9pm
at Conversa: 734 NW 14th Ave, Portland