Over the past year I’ve done several projects with Ruby Receptionists. A virtual receptionist company that focuses on friendly service, their brand is characterized by colorful and cute 50s-60s inspired illustrations of Ruby and her cohorts. And when I say “friendly service”, I really mean it. Think about the warm fuzzy feeling you get from, say, watching an old episode of Sesame Street where all the characters hug after an adventure. Well, that’s how it feels to correspond with Ruby. In that vein, one of my efforts was working with Marcella Vail, Director of Employee Engagement, to create an icon library for internal use in presentations, powerpoints, online media and generally peppy publications for the Ruby team.
After many years of mobile tours and growing the Sketchbook Project, an online shop of selected spreads has been opened at The Brooklyn Art Library, touted as the world’s largest collection of sketchbooks. And one of my illustrations is included! It is one of my more minimal pages of the character Label Head. Poor Label Head has an entire short story written about him on index cards that is sitting in the second drawer of my office stuff. Maybe I should take him back out and finish that up. At least for now he is immortalized and available for sharing with others.
I’ve also chosen to donate all artist proceeds (30%) to helping low-income schools get their own library of sketchbooks.
Here is another snippet from a longer-term lettering project I’ve been working on for Tofurky. Below is the second set of two series exploring their company name in a casual, hand drawn style (see the first set here).
As part of their online content the company posts recipes and tips under the name Counter Culture, which I gave some bling in this lettering piece. I also got to draw a bunch of small ingredients to go along with the type (matching their current brand illustration look), and implement one of the type treatments from above.
This summer I’ve been working with Tofurky on various projects, all rated very high on the level of fun had. Tofurky is a local company from Hood River, Oregon that makes meat-alternative products, including their inaugural product of a non-Turkey that also gave the company its name (a spoonerism of FAUX and TURKEY). While not a vegetarian myself, the brand resonates with me because of its positive and intentional mission as well as the playful way they communicate it. Food should be fun after all!
The first part of the project was to make some logo spin-offs so there was a casual and unique way to insert the Tofurky brand into secondary branding without feeling too serious. Two sets of Tofurky “nametags” were created, the first of which is shown below. For this series the defining feature was mimicking the angle and basic form of the Tofurky logo, but altering the letterforms so they are more playful. It also involved working with Tofurky’s current brand assets, which included an awesome set of illustrations done by Kate Sutton of animals, trees and little beans and lentils just doing their thing. Integrating these brand assets into the new work was both fun and a good way to illustrate in a specific style. Success? Well I’ve never seen a pair of beans high-five that hard, so yeah.
The next step of the project was to build a library of hand drawn lettering assets to use in their merchandise and promotion. Working with independent creative director Gary Huck, we made a slew of brand sayings and lettering/illustration combos, the first of which is being used on a tote bag and is a great representation of the Tofurky mindset: good for people, good for animals, and good for the environment. Hard to argue with that. We focused on the repeated word so it was a quick read and compact compositionally, with details of the saying appearing in banners around the main message: GOOD. A combination of Kate’s and my illustration fill the GOOD type so it’s a complete mash-up of type & illustration. My favorite kind!
That’s it for now – stay tuned for more work from the Tofurky lettering project…
Here are a few more post waving ideas for my golden (or gray) city of inhabitancy. What would your quintessential Portland flag look like?
TOP LEFT Keep Portland Weird, or as a fellow designer named this flag, Earthquake Alert. TOP RIGHT Rose City Pride. MIDDLE LEFT Old school. MIDDLE RIGHT Portland, post global warming. BOTTOM LEFT Portland, so hip it hurts. BOTTOM RIGHT Now legal.
These are a follow up to the first set of flags which included, now in high definition…
TOP LEFT MMMM, beer. TOP RIGHT Hipster plaid (more colors available). MIDDLE LEFT Portland, city of dogs. MIDDLE RIGHT Surrogate Sun. BOTTOM LEFT I can’t believe this hasn’t been done yet. BOTTOM RIGHT Bike Chain Gang.
Here is a recent collaboration with Archie’s Press that I’m super excited to share: a conceptual “mind map” of Copenhagen, Denmark. So many aspects of the project spoke to me: the history, the design challenge, the process, and the city itself.
Archie Archambault and I met almost a decade ago when we were both members of Em Space, a letterpress & book making collective. He was a bright eyed and idealistic printer/maker and I was an agency designer who liked to relax with a good stack of paper and a letterpress. He made his first map of Portland, which was pretty different from everything else out there at the time. I quit the agency life and started the Bureau of Betterment as a freelance designer. Over the years we crossed paths here and there. He moved to Amsterdam; I visited. I moved to Copenhagen (and back to Portland again); he kept in touch. And he made maps – lots of them – first of places he lived or visited, then collaborating with local designers on new maps.
As you can see, Archie’s maps are built with circles. As he explains on his site, research indicates that GPS’s are hindering our ability to create mental maps of our surroundings. His aim is to install a “Map from the Mind”, simplifying structures and neighborhoods in the most efficient and beautiful way possible. The circle, our Universe’s softest shape, is the clearest graphic to convey size and connection.
A few months ago, Archie got in touch and asked if I would collaborate with him on a map of Copenhagen, based on my knowledge of the city and his system of designing maps. I said YES. Having lived in Copenhagen for several years, it was a project close to my heart. I spent time looking at historic maps, reading about the city like I hadn’t done before, and interviewing both Danes and expats living in Copenhagen (thanks Niklas, Christa, Lise, Emil, Michelle & Carli).
Creating a “mind map” is different than a regular A-to-B map, and boy does that make me happy. How do people use the city and how do they get around? How do they explain the city to others? How does the city feel? How are the parts connected in the mind? What are the bare essentials for wayfinding while also understanding how the city is organized? And as a design piece, how do we make it visually engaging? I started with the basics, not even entering design mode until we had figured out the underpinnings of what was important.
Roads might seem obvious as a heavy hitter, but Copenhagen is different. Its’ roads don’t follow a grid pattern, and sometimes the same road changes name four times within a kilometer. When my interviewees were given the choices of 1) neighborhood, 2) landmarks, 3) water, 4) major roads, 5) a specific address and 6) public transit as wayfinding tools, the clear winners were neighborhoods and landmarks with water and public transit coming in second. Roads were last, even scoring low among those who used cars as their main method of transportation. That is why we only included the critical inner ring road that connects the neighborhoods and the “5-finger” spoke roads that were part of Copenhagen’s city plan from way back when. Simplifying the public transportation system was a tough choice. Archie and I decided that the Metro was the public transit mode to feature – there were too many bus lines and the train system wasn’t exclusive to the city, but the Metro is on the move and connects to the airport.
After much exploration I settled on a structure that featured the defining neighborhoods (or “broer”, which means bridge in Danish) – Østerbro, Nørrebro, Vesterbro, Amagerbro and Frederiksberg. These neighborhoods are top of mind when describing how to traverse the city and have very distinct vibes that define them: quiet and well-to-do Østerbro, multi-cultural and diamond-in-the-rough Nørrebro, established and monied Frederiksberg, the cool hipster feel of Vesterbro, and the up-and-coming Amager which has both unique merits and suffers from the stepsister syndrome. The map prominently features the main bike thoroughfare that thousands use daily on their commute and provides a serene way to bike with minimal interaction with regular roads. Unlike most of Archie’s circle maps, the Copenhagen map puts emphasis on public parks as well as schools and hospitals that allude to the Danish social system.
Many challenges lay in the details: getting the placement and proportions right so that major roads connected accurately to parks and water, dividing the lakes correctly with the bridges that crossed them, and having the metro pass through the right areas while still hitting their end destinations that are used as the line names when boarding (Vanløse, Lufthavn, Vestamager). All while using circles, circles, and more circles!
A favorite part of the map for me is the integration of the lakes circling the city, which visually connects to the remainders of the old defensive moat system from the Middle Ages (the triangular points on the south side of the harbor on Amager). The northern contained lakes are a central gathering point for tourists, runners, and locals enjoying the banks of the lake for a quick take-out meal. I also love the juxtaposition of the free city-state Christiana right next to the world-class restaurant Noma – two experiments on different ends of the spectrum. And even though we didn’t follow a structure based on the quaint maps of centuries gone by, where everything spreads out from the oldest and most central part of the city, I’m happy that a little bit of the historic “radiating city” feel was retained in this modern interpretation.
The Copenhagen map has been reviewed by a Danish magazine, Magasinet KBH, which focuses on city life and the changing architectural spaces of Copenhagen. You can use google translate, but the general opinion was that the map was simple and clear to understand – which from the Danes is a pretty good review!
While the map has been deemed simple and clear by the natives (and hopefully to visitors as well), here is a decoder key so you can quickly get an idea of all the parts and how they interact. The ring of names around the outside/northwest are suburbs, and following Archie’s system the city center (Centrum) is black. All smaller localized areas, tourist spots and notable locations are in individual circles (the zoo, Tivoli Gardens, Noma, Islands Brygge, the airport, etc), as well as parks, hospitals, schools and the overarching neighborhoods.
The Copenhagen mind map is available at Archie’s Press in letterpress (8×8″) or screen print (17.5×17.5″) editions.* Some of my favorite pieces of Archie’s are from the Outer Space series, including The Moon, The Sun, and The Milky Way – even the product descriptions make me smile. Thanks for reading – now you know way more than you probably need about designing a mind map of Copenhagen.
*Tim May, I have you covered.