Olympia Provisions Catalog


My most recent project for Olympia Provisions was creating their consumer catalog – a curated line-up of OP’s best charcuterie in a small, fun digestible size and format. It is used promotionally at farmer’s markets and trade shows and sent directly to customers, and later in the year will also function as a holiday gift guide. From a designer’s perspective it was also a lovely project because it combined a photoshoot with David Reamer, working with one of my favorite food copywriters Jen Stevenson, and detailed page layout (yum, stylesheets!).

While working “out of season” always feels a little strange, many holiday pieces are created in early summer to allow for wholesale order planning, product production, etc. In fact most of my work in May was focused on the Christmas season…

A bright red cover in a hand-held size of 5×7 inches catches your attention merrily and is festooned with a border of bow-tied sausage links. The cover artwork was painstakingly created from scanning vintage cuts, or letterpress images, and piecing them together to create the scene we wanted. Of special note is the The Whole Shebang spread, technically described as half a pig. Read more about the creation of the photo here, and may you never experience a pork shortage again!

Olympia Provisions holiday catalog - a red booklet with stack of sausage on display

Welcome letter from Eli  for the Olympia Provisions holiday catalog.

Olympia Provisions clubs of the month: salami, sausage, pickles and pates.

Charcuterie gift sets from Olympia Provisions from their 2017 holiday catalog.

The Whole Shebang - half a pig from Olympia Provisions, with all the cuts of charcuterie arranged in the shape of a porky pig.

Eli Cairo's honey glazed ham recipe.

Olympia Provisions spread of Good Food Award winning charcuterie.

Build your own charcuterie board with Olympia Provisions.

Evergreen Calendar for Umpqua Bank


One of the reasons I love working for myself is getting to use most parts of my brain: design, intuition, research, organization, efficiency, critical thinking, non-critical thinking, and chocolate consumption. Which is exactly why I enjoyed this Umpqua Bank project designing an evergreen calendar – there were many interconnected parts that created the end result. The goal was to create a keepsake piece for new employees that reinforced the philosophy of Umpqua, which employees had just learned during their on-boarding training. The format chosen by the client was a desk calendar featuring 12 tenets, and that is where my work started…

An initial round of sketches was created to explore an “evergreen” form factor, ease of usability, creativity, and how it lined up with the per unit production budget. Everything from rotating columns, flippable panels, turnable magnets, reversible cards, and game-inspired counters and pegboards were a part of the first round.

initial form factor sketches for an evergreen calendar

After the sketch presentation, the array was narrowed to three main form factors to price specifically. Umpqua wanted to focus on premium materials so some simpler options were chosen to give more of the budget to materials rather than form complexity.

three refined evergreen calendar sketches

A combination of B and C was chosen to move into the visual design phase, with some modifications to meet the budget. After the form factor was nailed (for now), visual directions were explored to find the right balance of “Umpqua”, banking, fun, and feeling like a custom piece that could hold its own on a desktop. A few focus areas in the initial design process were how much emphasis to put on the date (month, day), how integrated the messaging and illustration should be, what style the illustration should have, and what color impression the calendar should have. The option chosen (C) placed the most focus on the tenet, leaving the dates to be purely functional to highlight the messaging and illustration.

initial design concepts for Umpqua Bank evergreen calendar

Throughout the production process, the per unit budget was the major factor in determining the final form. The more parts there are to assemble in production, the higher the cost, so a simple solution was needed. In the end a compromise between materials and functionality was reached. A triangular wooden stand with a powder coated lip met the cost requirement, and could hold the tenets and dates in a nice presentation. A bit of functionality was ceded in that the panels have to be manually rotated instead of flipping them on fixed rings from front to back of the stand. Real projects = real budgets. IT BE REAL, FOLKS!

wood triangle stand with powder coated metal lip to hold evergreen calendar date and tenet panels

When the term evergreen calendar is used it usually refers to a calendar that can be used for any given year because it isn’t dated specifically. We took the term “evergreen” to the next level so both the information panels AND the form factor were evergreen. Umpqua wanted the option to switch out the panels, so the structure was designed to accommodate rotating messaging without it being a hassle to change out and didn’t create too much waste. An added bonus of the form factor was that it could also serve double duty as a picture rail, note holder, whatever, if users took the tenet and date panels out.

wood triangle stand with powder coated metal lip to hold evergreen calendar date and tenet panels

tenet panel series

Tenet themes were used to guide each illustration which were created in the Umpqua brand palette, which thankfully is quite broad with multiple blues, greens, yellows and oranges. Client provided themes included: strive, thrive/challenge, change/versatility, knowledge, collaborate, diligence, grow/curiosity, heart/kindness, betterment, generosity, commitment, and unity.

twelve hand drawn illustrations to match the 12 tenets of Umpqua Bank new employee training

Credits
Client: Umpqua Bank
Creative Director: Kylie Emers
Project Manager: Jason Resch
Calendar Stand Production: Axiom
Calendar Panel Production: Pod4Print

Well Vegan Brand Refresh


Six years ago marked Well Vegan’s launch when Bureau developed the brand from scratch for food-entrepreneur Katie Koteen to market her vegan meal plan subscription service. This spring, with a ton of new site features and her first cookbook under her belt, Katie wanted a refresh for the logo and website.

The first thing on the docket was a logo update. The friendly hand drawn script was a keeper, but legibility was increased by redrawing it on a level baseline and separating the two words with a visual – one of Katie’s favorite illustrations from the initial branding, a white radish. A pop of green was retained in the radish leaves, but the overall impression was more toned down.

before and after logo for well vegan, from a smiling pea pod to a white radish

The inaugural 2011 branding for Well Vegan included lots of hand drawn elements, borders, spot illustrations and illustration as main images (see it here). In 2017 Katie wanted to update the site based on the increase in photography and recipe posts, as well as make the site feel a bit simpler and cleaner rather than the homespun start-up it used to be.

well vegan hand drawn logo in black brush pen with a radish illustration and green color pop

A major area of focus was paring down the use of illustration and color to allow the food photography to shine. Instead of being the main focus, illustrations were used as accents and often in black & white instead of full color. The fonts also were refreshed – headline and accents were kept in the friendly legacy font (Skolar) while body and informational text was updated to the lighter, brighter Mr. Eaves.

Well Vegan blog post design

In the instances where illustration is used for main effect, we stuck with the black line-work style with color accents. This also left room for future promotional illustrations which had been a heavy favorite over the years with subscribers and the Pinterest crowd.

Illustrated grocery bag for Well  Vegan's plan page

The new streamlined feel was leveraged lightly throughout the site and in the cookbook design, featured on the cover and as page accents. The book is currently available.

well vegan plan page and promotional Frugal Vegan cookbook page

Ceek Logo and Website


An interesting client I have been working with recently is Ceek, a product design and development start-up that provides innovative solutions for frontline women’s healthcare. Bucking the historical trend of men making products for women to varying degrees of success, this company focuses on products created for women, by women. Definitely an approach I could get behind!

Ceek custom logotype in lavender.

Their logo was an exercise in custom typography and compactness as it needed to reproduce well on a variety of materials in small format (for example, as a deboss on a rubber handle grip). To aid in keeping the logo as big as possible at even the tiniest scales, a monoline x-height was implemented so the logo wouldn’t have to scale to accommodate the tallest character (since there are none!). A simple petal icon went through many iterations to become soft yet bold, feminine and somewhat regal, and have the right proportions to scale as well. A metallic lavender was chosen as the main brand color, differentiating it in the medical field which tends to employ blues (HEALTH!) and pinks (FOR WOMEN!) across the board. A broad palette of supporting colors were added to increase vibrancy and flexibility for future product lines and create a more nuanced palette than competitors, making the brand more approachable than clinical.

3 image banners for Ceek homepage, healthcare innovation for women.

Ceek’s first foray is tackling the age old device of every women’s annual visit – the speculum – with a range of patient and doctor friendly updates in their product design. Shockingly, the device hasn’t had major updating since its invention in the 1800s. From a graphic design perspective, it was also not the most inspirational visual matter to present front and center. To communicate Ceek’s intentions and story, we focused on their leading goals and featuring a wide variety of portrait stories and subtle growth focused imagery. A complementary logotype for Nella, the first product line, was also created. In addition to design, Leighann Franson aided in brand copywriting and Katie Koteen implemented the website.

Product page for Nella, Ceek's first product for women's healthcare.

Ceek Women's Healthcare about page and business card.

Pin That Sh*t


Like most kids I collected various things throughout my childhood, including buttons and pins. Most of my pins were from family travels, my parent’s political involvement in education, or participation in school events (see the full array here). Ramblin’ Rod would not have been impressed, but it was my collection and I was proud of it.

A few buttons and pins were collected of my own volition, and one of my prize pins was found in a deserted lot near my home around 8 years of age – a unicorn with gold metal accents and a multi-colored mane. Between childhood activities of building forts out of firewood stacks and popping tar bubbles on recently repaired roads, finding a monogram unicorn pin was a highlightable moment – even if it had a G on it instead of an M. Many days I wore this pin and thought “if only my name started with a G”. Alas. Here are a few favorites from my childhood collection.

pin collection from my childhood including a unicorn with multicolor mane

So, it seemed destined that one day I would participate in a group art show called Pin That Sh*t during Design Week Portland 2017. Over 60 artists from around the world donated pins, all of which will be for sale with funds donated to support arts education. Once I learned I would be a part of the show, I revisited my 1980’s collection and started on designing something new for the show.

My brainstorming ran the gamut from textures to animals to random icons. A theme of birds became apparent which guided a more specific exploration of several bird pins, of which the top three were considered for the final piece. After feedback from studio mates, the simplest bird was adjusted to have bold black outlines, taking inspiration from my childhood unicorn pin but modernizing it in style. And really, what better way to converge ‘put a bird on it’ with the new hip trend of pinning everything in sight?

preliminary bird pin brainstorms

love bird with heart speech bubble and rainbow wings for WeMake Pin That Sh*t Show

Love Bird is a tiny yet highly visible fashion partner to any wardrobe or backpack choice. With a nickel metal detail and flat polished surface, its minimal design seeks to spread love and acceptance. It’s a bird with a meaning, but it’s also just darn cute!

Two larger collections are also a part of the show from Kate Bingaman-Burt and from Brian Stowell, and many artists donated more than one pin so that there will be over 600 pins on display. For a more comprehensive list of artists and their bios, visit WeMake’s event page.

The show opens April 27th at Tillamook Station (665 N Tillamook Street in PDX, OR), from 4-9pm. In addition to the pin display there will be activities and beer. Most pins will go for about $10, also known as very affordable art. Time to find a bigger jean jacket…

participant pins of Pin That Sh*t art show

The pin was produced through GS-JJ who make custom pins, patches AND belt buckles. To transport/display the love bird pin, I ordered custom cards from Moo. A square, rounded corner card with spot gloss on the title and white clouds was the perfect fit for the bird with both shiny and matte surfaces.

love bird pin with cloudy spot glass Moo Cards background backer

McAfee Cybersecurity Timelines


Working with Solid Branding for their client McAfee, the Bureau created a set of 20 cybersecurity related icons and a timeline infographic that was used for both McAfee’s involvement in cybersecurity and a generic version of general cybersecurity history, all done to match McAfee’s brand guidelines. Not being particularly techy or aware of the nefarious side of technology, working on this project made me a bit paranoid every time I opened up a device…are they watching?

Cybersecurity timeline for McAfee

Twenty cybersecurity icons for McAfee

Olympia Provisions Wurst Division


Drum roll please…for the opening of OP Wurst Division! Olympia Provisions’ offshoot restaurant series, Wurst, now has a new location on 3384 SE Division street. A renovation of the old Honky Tonk Taco building turned a teal & red taco joint into a high end sausage bar. You heard it – a high end sausage bar. The Bureau assisted by providing brand & signage suggestions including establishing a simple white, black and gold palette that takes advantage of the interior’s natural wood accents and a restrained use of signage combined with custom composed old-time woodcut illustrations.

Strongman sausage lifter announcing the new OP Wurst Division location in SE Portland

On the front facade two large backlit gold signs can be seen through the windows boasting BEER and SAUSAGE. What more do you need to know? Inspired by a hut on the top of Mount Hood that has no logo or branding other than BBQ written in 15-foot-tall letters on the roof, OP Wurst Division uses a minimal approach to great effect. The signage works double-time as cozy lighting while the bar is open and all-night-long advertising to passerby. Inside, the main impressions include a giant bar, gleaming rafters, and a newly installed fireplace in the west wing (otherwise known as the “wurst room”). When seen from outside the singular message makes sure you know what to expect. BEER. AND. SAUSAGE. (photos by Dina Avila)

acklit gold interior signage spelling BEER and SAUSAGE. Outdoor patio message: it could always be wurst.

An outside patio mural boldly shouts a simple message to people near and far: It could always be wurst. Speaking of which, the menu has a plethora of hot dog options from traditional to way-out-in-left-field (there are even a few menu options for veggie lovers). In conjunction with the opening, Olympia Provisions is also expanding their sausage options from the standard pork to include both chicken and beef sausages. So hustle on over to Wurst Division and try a traditional dog or an experimental twist on the classic wurst.

wreaths heralding chicken, pork and beef sausage selection at OP Wurst

Olympia Provisions Introduces Landrauchschinken


Feel free to grab and ice pack and sprain your tongue on that mouthful. I was once told that speaking Danish (my second language) was like talking with your mouth full of marbles, and that if it didn’t hurt just a little then you weren’t doing it right. The Swiss must have been visiting Scandinavia when they came up with this moniker for Swiss Country Ham. Good thing you can order meat from the internet in complete silence, so if you like a cured pig loin soaked in burnt sugar and flavored with juniper and rosemary delivered straight to your doorstep with no intervention by the pronunciation police, then you’re in luck.

Oh, here’s the little promo image I put together for Olympia Provisions social channels to promote their new product.
Say it with me…LOND – RAUK – SHEEN – KIN.

Vintage etched illustration of a pig for Olympia Provisions Landrauchschinken launch. It's Swiss Country Ham!

Olympia Provisions Inserts


Olympia Provisions, of famed salamis and several restaurants in Portland, has several meat-of-the-month clubs. You heard it right! Salamis, sausages, pâté and pickles* all get the white glove treatment and can be delivered straight to your doorstep or gullet, whichever is closest to the mailman.

For each club the Bureau was tasked with designing informational brochures so members knew (for example) exactly what was in their salami, how best to serve it, what kind of romantic dates salami likes best, and revealing once and for all what that white stuff on the outside of a salami is (protective edible house flora that has a reputation that precedes it).

Unsure of what to get your sweetie for Valentines to tell them they are that special someone? Say it with meat.

collateral inserts for Olympia Provisions' club of the months - salami of the month, sausage of the month, pate of the month and pickle of the month

*Not technically a meat.

Olympia Provisions Holiday Card


I’ve recently been designing collateral and packaging for Olympia Provisions, a fine meat-centric cluster of restaurants in Portland, Oregon and purveyor of American Charcuterie. Their branding is already top notch, so when the opportunity popped up to create their holiday postcard, it was purely fun. The process on this was super succinct with just a rough sketch of the idea before approval for design & illustration. Guess you can’t fail with the formula of meat + wreath. Meaty Christmas to all!

OP-Holiday-Card

Thanks to Hayden Walker for illustration skills that helped keep the project on time and on budget. A recent graduate, Hayden is a new to Portland and has helped the Bureau over the last few months on several projects, including the Oregon VS Oregon beer label design by decade.